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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Yango Mungo ye Yango of Bathurst's Plains
Yango Mungo ye Yango of Bathurst's Plains
Yango Mungo ye Yango of Bathurst's Plains

Yango Mungo ye Yango of Bathurst's Plains, 1824

Moses Griffith after John Lewin
Portrait, copper engraving, hand coloured on paper

Purchased 2011

Sir Charles Moses
Sir Charles Moses
Sir Charles Moses

Sir Charles Moses, 1968

Mark Strizic
Portrait, gelatin silver photograph on paper

Purchased with funds provided by the Basil Bressler Bequest 2003

Elizabeth Rouse (copy of drawing by William Griffith)
Elizabeth Rouse (copy of drawing by William Griffith)
Elizabeth Rouse (copy of drawing by William Griffith)

Elizabeth Rouse (copy of drawing by William Griffith), c. 1847

an unknown artist after William Griffith
Portrait, pencil and watercolour on paper laid on cardboard

Collection: National Portrait Gallery
Gift of Pamela Glasson 2012
Collected by Leila Haigh (nee Rouse)

First High Court of Australia
First High Court of Australia
First High Court of Australia

First High Court of Australia, c. 1903

an unknown artist
Portrait, albumen silver photograph

Collection: National Portrait Gallery
Purchased 2011

Richard Rouse (copy of drawing by William Griffith)
Richard Rouse (copy of drawing by William Griffith)
Richard Rouse (copy of drawing by William Griffith)

Richard Rouse (copy of drawing by William Griffith), c. 1847

an unknown artist
Portrait, pencil, ink and watercolour on paper

Gift of Pamela Glasson 2009
Collected by Leila Haigh (nee Rouse)

Untitled #1, 2010 by Sean O’Carroll

Untitled #1, 2010

by Sean O’Carroll
Image
'Moses' by Michelangelo, c. 1513–1515

Not perspiring, but glowing.

The cultural history of radiance.
About Face article

Angus Trumble explores the creative manifestations of radiance.

'This is our land', 2006 by Hari Ho

'This is our land', 2006

by Hari Ho
Image
William McMahon
William McMahon
William McMahon

William McMahon, 1973

Victor Greenhalgh
Portrait, ciment fondue

Collection: National Portrait Gallery
Gift of Paul and Wendy Greenhalgh 1999
Donated through the Australian Government's Cultural Gifts Program

image not online

Annual Appeal

Listed by year
Honour board
Judith Wright with Barbara Blackman

Friendship’s rhyme and reason

Nearest & Dearest

Poetic trio

After Ophelia: Fiona Foley at Lake Mackenzie, Fraser Island (Referencing Ophelia by John Everett Millais)
After Ophelia: Fiona Foley at Lake Mackenzie, Fraser Island (Referencing Ophelia by John Everett Millais)
After Ophelia: Fiona Foley at Lake Mackenzie, Fraser Island (Referencing Ophelia by John Everett Millais)

After Ophelia: Fiona Foley at Lake Mackenzie, Fraser Island (Referencing Ophelia by John Everett Millais), 1994

Juno Gemes
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Purchased 2008

image not online

Estate of Alan Boxer

Biography

Alan Boxer, public servant, academic and art collector, was schooled in Melbourne and gained his economic qualifications in Melbourne and Oxford.

Portrait of Professors Margaret Gardner and Glyn Davis
Portrait of Professors Margaret Gardner and Glyn Davis
Portrait of Professors Margaret Gardner and Glyn Davis

Portrait of Professors Margaret Gardner and Glyn Davis, 2017

Jacqueline Mitelman
Portrait, type C photograph on paper

Commissioned with funds provided by Jim and Barbara Higgins, Sir Roderick Carnegie AC, Rupert Myer AO and Annabel Myer, Louise and Martyn Myer Foundation, Peter and Ruth McMullin, Diana Carlton, Professor Derek Denton AC, Harold Mitchell AC, Peter Jopling AM KC, Andrew and Liz Mackenzie, Patricia Patten, Tamie Fraser AO, Bruce Parncutt and Robin Campbell, Lauraine Diggins, Steven Skala AO and Lousje Skala 2017

Senator Bonner
Senator Bonner
Senator Bonner

Senator Bonner, 1990

Robert Campbell Jnr
Portrait, synthetic polymer paint on canvas

Purchased with funds provided by Tim Fairfax AC 2008

image not online

Robyn Davidson (near Uluru), 1979 (printed 2014)

Rick Smolan
Portrait, inkjet print (black and white) on paper

Collection: National Portrait Gallery
Purchased 2014

Ann Moyal
Ann Moyal
Ann Moyal

Ann Moyal, 1957

Pamela Thalben-Ball
Portrait, oil on canvas

Gift of Ann Moyal 2012. Donated through the Australian Government's Cultural Gifts Program.

June Dally-Watkins

2023 Annual Appeal

Annual Appeal

In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.

Sammy Dodd

2022 Annual Appeal

Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

Sir Ian Potter

Mark Strizic

A Journey in Photography
Previous exhibition, 2004

This exhibition traces the creative output of nearly 50 years by one of Australia's landmark living photographers.

TW Edgeworth David and Vilhjalmur Stefansson
TW Edgeworth David and Vilhjalmur Stefansson
TW Edgeworth David and Vilhjalmur Stefansson

TW Edgeworth David and Vilhjalmur Stefansson, 1924

Annie May Moore
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2010

Tim Winton

2020 Annual Appeal

Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.

Layla 2020 Veronica Watson, pencil on paper. Layla 2020 Sarah McEwan, fabric, acrylic on MDF. Self portrait 2020 Layla Bacayo, drypoint on paper. Image: Sarah McEwan

Mash-up

Magazine article by Penelope Grist, 2022

Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?

Turia Pitt

2021 Annual Appeal

Annual Appeal

In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.

The uncertain recovery, 2012 by Arianne McNaught

Arianne McNaught

Finalist interviews

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

image not online

Forum participants

General content

Biographies of participants in the Writing lives, revealing lives forum.

Margaret Whitlam

Open Air

Portraits in the Landscape
Previous exhibition, 2008

Open Air is an exhibition of portraits of Australians in environments of particular significance to them.

Royal Solomon Islands Police Force recruits, Maranatha Hall, Honiara by Sean Davey

The art of peace

Magazine article by Sven Knudsen, 2018

Sean Davey captures the portrait of a nation renewed.

Clifton Pugh and John Olsen, Dunmoochin

Poet of the Fleeting Moment

Magazine article by Simon Elliott, 2004

Mark Strizic's work crosses a broad spectrum of photographic fields including urban, industrial, commercial, and architectural photography. 

Ann Moyal

The elegant thinker

Magazine article by Dr Sarah Engledow, 2020

Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.

Bob Hawke

Primed

Some Prime Ministers
Previous exhibition, 2019

Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.

Eden, 2011 by Arianne McNaught

Arianne McNaught

NPPP 2012 learning resource

An interview with the photographer.

Dr Reg Hook

Inner Worlds and psychoanalysis

Lecture, 4 June 2011
General content

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

Karl Robert, Count Nesselrode, 1818 by Sir Thomas Lawrence

The Lawrence lustre

Magazine article by Angus Trumble, 2019

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

Barry Humphries

No Laughing Matter

Magazine article by Simon Elliott, 2002

The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.

Forest Creek, Mount Alexander Diggings, 1852 by S. T. Gill

The Rothschilds, the Montefiores, and the Victorian Gold Rush

About Face article

Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Christmas Island

About Face article

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency